No Man’s Land

2024
Flagpole, adorned with barrier tape, situated on the only point in the garden where 4 cadastral plots meet. Barrier tape marking the boundaries of the 2 central plots that divide the garden in four parts. Sphere, comprised of rolled up barrier tape, representing the length of the German-French border (448km*). * according to Wikipedia.
As part of the Europe week in Eitorf, organised to celebrate the city-friendship between Eitorf (DE), Bouchain (FR) and Halesworth (GB), I was commissioned to create a temporary Artwork with a focus on the benefits of Europe.
The location was an empty villa with a huge garden. During my research I found out that the garden was divided in 4 cadastral plots. These borders within this single garden inspired me to focus on borders in general.

The Richardson Effect,
Lewis Fry Richardson (1881-1953), (Mathematician, Physicist, Meteorologist, Psychologist and Pacifist).
In search of a mathematical formula as a basis for understanding the origins of international conflicts, Richardson investigated, among other things, the relationship between the length of national borders and the probability of war. He discovered that there were varying measurements of the length of one and the same country border. When he investigated how this was possible, he found that the length of a coastline or national border depends on the accuracy with which it is measured. The more precise, the longer the border, Ad Infinitum. Richardson published these findings in 1951, which is also the year in which the EU attained its first form.

Mattrass

2022
Exhibition: in het Licht, groupshow in Krona Museum for religious Art Uden(NL).
Installation; Insulation sheets, electronics, ventilator. Approx. 125 x 175 x 15cm.
Fans slowly push air into the mattresss and then let it flow out again, this make it seem to breathe slowly with soft crackling sounds.

Auszeit

2022
Kinetic object: MDF, fly swatters, electronics and steppermotors. Approx 110x70x130cm.
For the group show “WEG” (away/road) which thematically focused on the remains of a former camping site, Auszeit (sparetime) shows time passing like a digital flipping clock.
Not with numbers though. And every once in a while this “clock” becomes unpredictable.

The website to the project weg: weg.works

Borderline

2021
Without Title, Group-show, In pairs, Kunsthaus Troisdorf (DE).
Group-show with 4 Artist-couples from Germany, the Netherlands and Switserland.
Each couple presenting work which is a result of working in pairs.
Two objects, MDF, thermos bottles, metall. Approx 2x2x2m each.
Together with Sonja Karle.

Now and again

2019
Group-show: Self is the other, Kulturwerkstatt Kircheib (DE).
Video-Installation: video-loop 19min56sec HD, player, projector, electronics, servo-motor, mirror, tripods.
Ab und zu is a projection of the head of a man (with a 30 day’s beard, eyes closed) on the upper side of the wall. Watching closely suddenly you notice the eyes blinking every now and then. Then randomly and completely unexpected the head seems to fall down, eyes wide open and accompanied by an unpleasant sound (created by the fast-moving servomotor). For a moment the head remains just above the floor, shaved. Then, much slower the head moves up again, eyes closed, the beard growing again.

Inside-Out

2021
Group-show: Outside ArToll, Bedburg Hau (DE).
Video: video-loop 1min45sec HD, player, monitor.
Final show in this Artist-Initiative on the grounds of an asylum.
The recording shows a man seen from behind bars. He picks one bar and starts to balance it on his hand.
The opening in the bars doesn’t seem to interest him. He just balances the bar. You don’t see his hands, just the bars and his face and one bar moving behind them.
Then the bar is put back in its place.

Waterfall

2021
Group-show: Poet on the water/closer to the water, former island Schokland (NL). 
The show is a sculpture-route on and around the former island (now an elevation in the polder – and Unesco World Heritage).
Sculpture: wood, 5 buckets, showerhead.